Saturday, 14 April 2012

Wind Back Home.

This now has a title, and some minor changes. Very much in need of feedback, please please.



Wind Back Home

The man walks a little. He wants some open space. He needs time to think about all the things he knows. So, he climbs up to the top of the biggest dune that he can see and pauses at the summit. He looks at everything below him. It all looks so small. Little matchstick people living carelessly, and little matchstick boats bobbing on the careless sea. It all makes him wonder. While he wonders he sinks to the ground, slowly, until he is sitting cross-legged in the sand. He thinks about those little matchstick boats, steered by their matchstick-men captains in newspaper hats. He thinks about how they are always steered back into the same port at the end of every journey. And he thinks about the travellers onboard - the restless, escaping. With their fixed return date always in mind. It’s funny, really. The seaside is the epitome of that. It’s the epitome of people thinking they’re free, when, really, they’re just on short-leave. Bank holidays and summer and things. Life may seem better here, but, really, it’s not. Life is just held off by an hour, here. A day or two, maybe a week. Never more.

The donkeys, he thinks. It’s all quite a lot like the tiny little donkeys that plod along their route to the left of his view. He looks at them. They walk forwards and backwards along the beach, always coming back around to the same post, waiting for the next trip. He wonders if they ever think of running forwards, in a straight line, and not stopping until they’re really free, not just out on a trip.  He wonders if that’s possible. Surely they must want to. If they do, he wonders, why don’t they? After a few minutes watching and thinking, he concludes that it’s all to do with what they know. And it’s all to do with what they expect. The tiny little donkeys know that they must always come back, that they can never just stay away, carry on to freedom. They must always turn around and retrace their steps. They have always known this. It’s what they’ve been taught. The thought makes him quite sad.

Looking down at the tiny little people and tiny little donkeys, he is sad that they have the same life. The little people teach the little donkeys all the same things that they have been taught, he realises. That thought makes him sad too.

After that last thought he sits and feels sad for a few minutes. Then, whilst he sits sadly, a little boy with blond hair runs, quite unexpectedly, just past him. The child stops, and turns around to face the man. The child looks confused. The man says hi, wondering if maybe the child would mind if a donkey ran to freedom with him on his back. The man thinks that he wouldn’t mind it at all if he were the one on the donkey’s back. He starts to ask the boy, thinking that a second perspective may make things clearer. As he starts to ask, a grown-up with the same blond hair appears from behind. The grown-up grabs the boy’s hand. Grabs the boy’s hand a little too roughly, thinks the man. He hears the grown up say something about strangers as the child is dragged, still confused, away. What a strange thing to happen, thinks the man.

He is not really sure what the brief encounter might mean for all of the things that he’s been thinking about, but he knows that it makes him feel sad again. Sad in the same way that the boats and the donkeys make him feel sad. Nihilistic, thinks the man unexpectedly. He vaguely knows what the words means, and it seems to fit quite well with his sadness today. Yes, he thinks, nihilistic. That’s what I feel. And I think I understand why.

Life, he thinks. Life and other people’s expectations. And other people’s ill-informed judgement. And my own ill-informed judgement. It’s hard to be alive and be free from life, and from opinions. You can take a break from it all, he thinks, but you will always find your way back. Or life will find its way back to you. It would be better if there were no judgements and no opinions. And no going back. Things could be fixed if no-one went back. If everyone carried on, and walked away from the things that made them sad. But they don’t. Everyone is expected back. And everyone goes back. And that, he decides, is his conclusion. And the reason for his nihilism. Satisfied that he understands, he now asks himself what to do.

After a short time he comes up with two possible options.

He could trace his steps around and go back, return to carry on living among the matchstick people. Or, he could not. As soon as he knows the options, he sees what must be done.

He walks slowly down the dune towards the beach.

First, he heads in the direction of the donkeys. They’re a lot bigger from down here. From down here he can see their tough hair and steady, strong legs. They definitely seem like they could run forever. If they wanted to. He pats the closest one. Delilah. She turns her sturdy head and considers him with deep, dark eyes. Her short ears, covered in those tough, coarse hairs gently lean forward. They lean towards him. It rather feels likes she’s asking what he wants to say. He really does have something to say to her. He puts his head close to one of those hairy, rough ears and tells her something. He tells her something important. Something about freedom and choice.

Then, he walks to the water’s edge. He kicks off his shoes, and peels off his socks. He rolls the pair of socks neatly together and places them on the toe of the left shoe, which he lines up perfectly next to the right, the toes facing out to sea. He lifts his hands above his head and starts to walk forwards, in the direction that the empty shoes point. He doesn’t stop. He does not turn back.

Four hours and twenty-five minutes later, the earth and the moon have continued to move. The greedy, ever changing tide has taken the shoes and socks.

Two weeks later the man’s empty shoes will wash up onto the same beach, roughly seventeen and a half feet away from the spot that they were left. The socks, however, will rest for a while somewhere off of the Algarve coast. They’ll probably find their way back eventually, though.

Friday, 16 March 2012

I wrote a little story. It doesn't have a title yet.


The man walks a little. He wants some open space. He needs time to think about all the things he knows. So, he climbs up to the top of the biggest dune that he can see and pauses at the summit. He looks at everything below him. It all looks so small. Little matchstick people living carelessly, and little matchstick boats bobbing on the careless sea. It all makes him wonder. While he wonders he sinks to the ground, slowly, until he is sitting cross-legged in the sand. He thinks about those little matchstick boats, steered by their matchstick-men captains in newspaper hats. He thinks about how they are always steered back into the same port at the end of every journey. And he thinks about the travellers onboard - the restless, escaping. With their fixed return date always in mind. It’s funny, really. The seaside is the epitome of that. It’s the epitome of people thinking they’re free, when, really, they’re just on short-leave. Bank holidays and summer and things. Life may seem better here, but, really, it’s not. Life is just held off by an hour, here. A day or two, maybe a week. Never more.

The donkeys, he thinks. It’s all quite a lot like the tiny little donkeys that plod along their route to the left of his view. He looks at them. They walk forwards and backwards along the beach, always coming back around to the same post, waiting for the next trip. He wonders if they ever think of running forwards, in a straight line, and not stopping until they’re really free, not just out on a trip.  He wonders if that’s possible. Surely they must want to. If they do, he wonders, why don’t they? After a few minutes watching and thinking, he concludes that it’s all to do with what they know. And it’s all to do with what they expect. The tiny little donkeys know that they must always come back, that they can never just stay away, carry on to freedom. They must always turn around and retrace their steps. They have always known this. It’s what they’ve been taught. The thought makes him quite sad.

Looking down at the tiny little people and tiny little donkeys, he is sad that they have the same life. The little people teach the little donkeys all the same things that they have been taught, he realises. That thought makes him sad too.

After that last thought he sits and feels sad for a few minutes. Then, whilst he sits sadly, a little boy with blond hair runs, quite unexpectedly, just past him. The child stops, and turns around to face the man. The child looks confused. The man says hi, wondering if maybe the child would mind if a donkey ran to freedom with him on his back. The man thinks that he wouldn’t mind it at all if he were the one on the donkey’s back. He starts to ask the boy, thinking that a second perspective may make things clearer. As he starts to ask, a grown-up with the same blond hair appears from behind. The grown-up grabs the boy’s hand. Grabs the boy’s hand a little too roughly, thinks the man. He hears the grown up say something about strangers as the child is dragged, still confused, away. What a strange thing to happen, thinks the man.

He is not really sure what the brief encounter might mean for all of the things that he’s been thinking about, but he knows that it makes him feel sad again. Sad in the same way that the boats and the donkeys make him feel sad. Nihilistic, thinks the man unexpectedly. He vaguely knows what the words means, and it seems to fit quite well with his sadness today. Yes, he thinks, nihilistic. That’s what I feel. And I think I understand why.

Life, he thinks. Life and other people’s expectations. And other people’s ill-informed judgement. And my own ill-informed judgement. It’s hard to be alive and be free from life, and from opinions. You can take a break from it all, he thinks, but you will always find your way back. Or life will find its way back to you. It would be better if there were no judgements and no opinions. And no going back. Things could be fixed if no-one went back. If everyone carried on, and walked away from the things that made them sad. But they don’t. Everyone is expected back. And everyone goes back. And that, he decides, is his conclusion. And the reason for his nihilism. Satisfied that he understands, he now asks himself what to do.

After a short time he comes up with two possible options.

He could trace his steps around and go back, return to carry on living among the matchstick people. Or, he could not. As soon as he knows the options, he sees what must be done.

He walks slowly down the dune towards the beach.

First, he heads in the direction of the donkeys. They’re a lot bigger from down here. He pats the closest one. Delilah. He puts his head close to her ear and tells her something important. Something about freedom and choice.

Then, he walks to the water’s edge. He kicks off his shoes, and peels off his socks. He rolls the pair of socks neatly together and places them on the toe of the left shoe, which he lines up perfectly next to the right, the toes facing out to sea. He lifts his hands above his head and starts to walk forwards, in the direction that the empty shoes point. He doesn’t stop. He does not turn back.

Four hours and twenty-five minutes later, the earth and the moon have continued to move. The greedy, ever changing tide has taken the shoes and socks.

Two weeks later the man’s empty shoes will wash up onto the same beach, in roughly the same spot. The socks, however, will rest for a while somewhere off of the Algarve coast. They’ll probably find their way back eventually, though.

Monday, 27 February 2012

Un-named as of yet.

This is newer, and it doesn't have a name yet. I'm just waiting for a name to find it's way out. I'm not quite sure what I think about it, so help me out. I definitely need opinions on this one.

I have a box.
It sits inside my chest,
somewhere to the left
of my strongest lung.

Inside the box
a lot of things nest.
(buried alive, still kicking)
They’re always making noise.
(beating, beating!)

I try to let them out
when I find the strength
or trust
but they don’t know what to say.
(just noise noise, The Fear!)

It seems that all these little things
vanish in the daytime sun.
But still, they talk to me
(laugh, insane)
at night.

They say an awful lot.
(laugh, insane)
But I’m not sure how to share.
(no-one ever taught us)

They say an awful lot.
(LAUGH, INSANE)
But I’m not sure how to share.
(no one ever will)

If I could
I’d find the words
to tell you what’s inside
(no-one sees inside)
I’m sure those words are simple,
but they just seem to vanish
every time they’re born.

Sacred Heart.


This has been around for a while. I heard a story about how the Sacre Coeur cathedral had its windows removed during the war, so that they didn't get broken. But then, the cathedral was left open and vulnerable. The story got me thinking, and this poem happened. It's probably the closest thing to a love poem that I'm capable of writing.

Sacred Heart.

Where windows prove their hard remove,
Stained by ages glass
And lead must fall away
And open up.
It is, they say, the only way
To save them from the siege.
Else, victims of the raging war
Outside
They shatter.
Beauty gone.
Bright shields lost forever.

But-

Through vacant frames
Famed lights of old Montmartre
Steal in,
And air. Those lights
Eternal – patient, kind-
Before looked in
But did not force
Their entrance. Now,
Though, pure,
Unmediated,
Granted this first time.

But-
Here, does life belong?
Stone Heart has long been stone
That light and dust of life may mar,
Where scars of war the light may show.
Illumination, craved and feared,
Here never sought but found.

Though light, once light,
Will hold off dark.
No choice in that.
My love,
Then let light be.

Wednesday, 1 February 2012

You, Your Demons and I


Again, this is young and rough.

You, Your Demons and I

You, your demons and I,
trapped between these godforsaken walls,
somewhere west of Hell.
You scream at me and I scream at paper.

You are weak.
And you throw your weakness all at me.
But I will remain silent
To you. You do not (and would not) understand.

Your only words are those that kill.

Hope, Love and Family.

A Joke.

Monday, 30 January 2012

Pity.


This is only about an hour old, it's young, fragile and still very rough. But take a look.

Pity

I see you,
sinking like a stone.
Stone of mercy,
the mercy of pain,
and a heart of all.

Can’t you see me,
seeing you?
You should know that I’m here.
I could be the river.

Carry you, carry you.
Take you South and carry you.

And your pain is mine,
So close your eyes.
Don’t look.
Not to see
will help you believe.

Find your eyes in blindness,
Child.

Could I convince you
to believe in you?

Thursday, 26 January 2012

This & That.


Not entirely happy with the very end of this.

This

This is the home of the spectres.
This is where they wander the streets, in
this darkness that’s yours; always always under
this peculiar shade of grey, never black. The greyest darkness. And
this is where they sleep. Always sleeping. Take a good look and recoil.
This chance will never come again, all because
this world too separate. Too far.
This world is theirs, too.


That

That other city that’s filled by you,
that never sees that grey or pain, is such
that it might keep itself to itself and so keep itself
that perfect shade of glass and marble. Rich in absence and something
that compels a smile at all times new, clean, shiny and
that specific colour. That green specific colour.
That’s your lot’s lot, really. That’s all
that’s there. Now leave.